Going through old copies of the Radio Times and scanning the cast lists of vintage television productions, some names keep turning up, over and over again. Peter Cushing and Donald Pleasence, prior to their horror stardom; Yvonne Mitchell, Andre Morell, Roger Delgado, Barry Letts, Patrick Troughton, John Robinson; and Paul Whitsun-Jones was another example of this breed. Corpulent, with thick black hair and often seen as appropriately solid authority figures, whether comically pompous or threatening in an oily manner, Whitsun-Jones facially resembled a heftier and rather bad-tempered version of Peter Bowles; his Avengers appearances are pretty representative of his work, respectively taking in Government man, fat villain and eccentric innocent bystander. Given the bluff, very old-school image he often projected, it's slightly surprising to find he was actually born in Wales, in 1923, though less surprisingly this was in Monmouthshire, near the border with England.One of his early TV credits was a ground-breaking one for the medium; The Quatermass Experiment (1953) (BBC), the first adventure for Nigel Kneale's scientist hero, who after masterminding an early space mission has to take action when one of the astronauts (played by Duncan Lamont from "Stay Tuned") comes under the control of an alien, mutating creature. In typical 50s gear of trilby and trenchcoat, Whitsun-Jones was a regular in the series (or serial as it would have been called then), playing James Fullalove, an ironically named, cynical newspaper columnist who complicates matters by attempting to get to the unfortunate astronaut. (In Kneale's work, journalists are always bad news.) Only the first two episodes of this - "Contact Has Been Established" and "Persons Reported Missing" - exist today, the BBC at the time deciding against recording the last four; whether this was because they were not satisfied with the poorly lit, distinctly indistinct picture quality of the first two, or if the still-new process of telerecording was simply too expensive, is debatable. Famously, its prefacing continuity announcement contained the warning that the programme was not suitable for "those of you who may have a nervous disposition", or children. By contrast, The Gordon Honour (BBC, 1956), was a children's series, hovering somewhere between drama and comedy, about two feuding families called the Gordons and the Fitzwilliams, their rivalry centring around a candlestick, with the Fitzwilliams generally on the losing side. It ran for two series, from which no episodes exist now; each episode took place at a different point in history, but with the same actors playing the various family members, among them Roger Delgado, in a tailor-made role as a sword-wielding Spaniard, and Whitsun-Jones as a family butler. Occasional guest stars included the great Arthur Lowe from "Dead Man's Treasure" and Dad's Army.In the first of several roles opposite Roger Moore, Ivanhoe, "The Gentle Jester" (Screen Gems, 1958) saw Whitsun-Jones as Sir Maverick, a fellow supporter of King Richard who seeks a replacement jester, after which it was a real switch for a deeply unusual entry in Sydney Newman's normally realistic Armchair Theatre, "Death of Satan" (ABC, 1958), set in Hell, in which he played Oscar Wilde, who along with Lord Byron was found to be rather enjoying himself there.In the theatre, Whitsun-Jones was in the original West End production of Oliver!, by Lionel Bart out of Charles Dickens, in 1960, with Ron Moody (seen in "Honey for the Prince" and "The Bird Who Knew Too Much") giving it 100% as Fagin, as he would in the film, which Whitsun-Jones wasn't in. The latter's next TV series was Bonehead (1957) (BBC), a children's sitcom which went out in the same early Saturday evening slot (around 5.30) later filled by Doctor Who. Colin Douglas, a heavily built actor who later starred on the early 70s WW2 series A Family At War, had the title role of a dim Cockney villain in a bowler hat, Whitsun-Jones was The Boss, and each week their gang's criminal plottings ended in slapstick disaster. Unlike the career of its writer-producer, Shaun Sutton, who ended up becoming Head of Drama at the BBC, then oversaw the Corporation's 80s televising of all Shakespeare's plays.Getting into the ITC series, where he was more often than not cast as foreigners of some kind, Whitsun-Jones was in the now obscure Man Of The World, "A Family Affair" (ATV/ITC, 1962), set in Paris, in which he was some way down the cast list as "A Midwesterner"; then, again with Roger Moore, he had three turns alone in the first batch of (black and white) episodes of The Saint. "The Golden Journey" (ATV/ITC, 1962), also with Roger Delgado (again) and Richard Montez, had Whitsun-Jones as a stereotyped lumberjack in a check shirt, who in one, deeply non-PC scene gives spoilt heroine Erica Rogers (seen in "The Bird Who Knew Too Much") a spanking; "Starring the Saint", which kept the budget down by involving Templar with